Lorna Dee Cervantes: "Beneath the shadow of the freeway". An interpretation of the poem

Lorna Dee Cervantes: Beneath the Shadow of the Freeway The flesh of the meter is non belatedly to determine. It consists of six stanzas of uneven length, which are, except for the first and fifth, once more split up into sub-stanzas. The meter is irregular as sanitary as the length of the verses and there is withal no poesy scheme. Cervantes plays very freely with the structure of rimes. She does not use an established type of poem and ignores rhyme and meter, but she presents her words diagrammatically in the form of stanzas, in separate but cerebrate sections. The six important parts are numbered. It can be assumed that the placement of the verses was done consciously and that it aims at a certain response on the side of the reader. Each condemnation a stanza or sub-stanza starts, a kind of pause emerges. This overly allows the poem to exact spatial and temporal leaps without transitions, but it as well as increases the difficulties concerning the understandin g of the text. In addition to that, many things are only when vaguely hinted or ambiguously presented. The inherent continuity of the poem is achieved by its themes and by its imagery. The first section deals with the shadow of the state highway, the image that is also in the title of the poem.

It becomes obvious that the loudspeaker lives succeeding(a) to a pike; she can watch it safe across the track from her porch. Every day she notices that the shadow of the freeway lengthens. This is interesting, because freeways usually do not cast shadows, they are flat. This seems to call forth that the freeway is r eal a metaphor, so the speaker lives next to! either a real or a metaphorical freeway. The family is introduced in the aid part. It is an all-female family, consisting... If you want to get a abundant essay, order it on our website: BestEssayCheap.com

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